Far from the reach of the sun (23mins 13sec, 4K Video, 2018) is set in a near future where a government-approved drug can alter your sexuality, allowing you to be satisfied in ways that were not previously in your nature. The corporation marketing the drug targets vulnerable queer people who have checked into a cruising resort which doubles as a correctional facility. Advertisements present the pill as a party drug for wealthy straight customers who have burned out the experience economy: “come take pleasure in marginalized sexual experiences without affecting your personality.”
Coded with references to pseudo-medical practices such as gay conversion therapy (which attempts to turn people straight, causing psychological problems for an already vulnerable minority), the film reflects on the church and medical profession’s history of interfering with the lives of LGBTQ+ people. Incorporating archival footage of a gay & lesbian run church in Manchester in the 1990s, we hear accounts of exorcisms and suicide attempts. The indifference of priests and doctors to these young people’s lives is symptomatic of the church, state and medical community’s treatment of LGBTQ+ people historically.
Left: Ormston House. Right: Solo exhibition at CAI02, Contemporary Art Institute, Sapporo, Japan. November 2018.
Far from the reach of the sun revolves around the protagonists sharing their innermost thoughts and feelings; tumultuous worlds at odds with the power structures surrounding them. The film reflects on the effects of isolation and homophobia on a queer person’s relationship with themselves and others, and the plethora of stereotypes and contradictory messages that queer people navigate daily.
Supported by the Arts Council of Ireland’s Film Project Award.