{"id":25,"date":"2020-06-17T14:34:46","date_gmt":"2020-06-17T14:34:46","guid":{"rendered":"https:\/\/caoimhin.xyz\/?page_id=25"},"modified":"2025-03-20T16:52:03","modified_gmt":"2025-03-20T16:52:03","slug":"work-2011-2014","status":"publish","type":"page","link":"https:\/\/caoimhin.xyz\/index.php\/work-2011-2014\/","title":{"rendered":"Other installations 2010-2019"},"content":{"rendered":"\n
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As part of the Artlink residency at Fort Dunree, a screening of two films was held at Buncrana Cinema, 2023.<\/figcaption><\/figure>\n\n\n\n
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Haerfest <\/em>at CCA Derry-Londonderry, 2019.<\/figcaption><\/figure>\n\n\n\n
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Disruptors<\/em>, Highlanes Gallery, Drogheda, 2019.<\/figcaption><\/figure>\n\n\n\n
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ART WORKS<\/em> at VISUAL, Ireland, 2017.<\/figcaption><\/figure>\n\n\n\n
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Installation at Mohsen Gallery, Tehran, 2015.<\/figcaption><\/figure>\n\n\n\n
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Out There, Thataway<\/em> at CCA Derry~Londonderry, 2015.<\/figcaption><\/figure>\n\n\n\n
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Installation of Our Stranded Friends in Distant Lands <\/em>at Art Works, VISUAL, Carlow, selected by Lewis Biggs, 2015.<\/figcaption><\/figure>\n\n\n\n
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Installation at The Numbers Station<\/em>, Ulster University Art Gallery, Belfast School of Art, 2015.<\/figcaption><\/figure>\n\n\n\n
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Work-in-progress at Open Studio, MMCA Residency Changdong, Seoul, South Korea, 2014.<\/figcaption><\/figure>\n\n\n\n
Seeing Colours in an Oil Slick<\/em>, 3 minute video, site-specific commission for the Sorachi Coal Mine Art Project for Sapporo International Art Festival, Yubari, Japan, 2014.<\/summary><\/details>\n\n\n\n
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Installation of Seeing Colours in an Oil Slick<\/em> at Fake Hikers<\/em>, MMCA Changdong Residency, National Museum of Modern & Contemporary Art, South Korea, 2014.<\/figcaption><\/figure>\n\n\n\n
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Installation of Korean translation of Everything Disappears <\/em>at Other Forms of Relations<\/em>, MMCA Residency Changdong, Seoul, 2014.<\/figcaption><\/figure>\n\n\n\n
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Site-specific photographic installation for the Sorachi Coal Mine Art Project, Sapporo International Art Festival, Yubari, Japan, 2014.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Moonless Ocean <\/em>at Eight Gallery, Dublin, 2013.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Observer & I<\/em>, photograph, made in collaboration with Sally-Anne Kelly, Pallas Periodical Review II, 2013.<\/figcaption><\/figure>\n\n\n\n
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Instalaltion of The Suffocating Heat of the Forest<\/em>, photograph series made in collaboration with Sally-Anne Kelly, Taipei Artist Village, 2014.<\/figcaption><\/figure>\n\n\n\n
Started 2012: Residents of Startpoint, Galerie NTK, National Technical Library, Prague, 2012<\/summary><\/details>\n\n\n\n
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Installation of Dusting<\/em>, 4 minute video and 35mm slide projection series, at “We” at Catalyst Arts, Belfast, 2012.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Unnameable<\/em> at the Royal College of Art, 2011.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Unnameable <\/em>at Startpoint Prize for Emerging Artists, Wannieck Gallery, Czech Republic, 2011.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Unnameable<\/em> at solo exhibition in RUA RED, 2011.<\/figcaption><\/figure>\n\n\n\n
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Installation of The Unnameable <\/em>at For Beauty is Nothing but the Beginning of Terror<\/em>, Martin Luther Stra\u00dfe 1, Dresden, 2013.<\/figcaption><\/figure>\n\n\n\n
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Installation of 35mm photographs from The Unnameable<\/em> at the Battle of Ideas festival, Royal College of Art, 2010.<\/figcaption><\/figure>\n\n\n\n

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